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“What distinguishes a great soloist from the average is his capacity to enthral an audience, no matter what he sings or plays. Nathan Payas has such a beautiful voice that it is impossible to be bored by it, no matter how many arias he sings in one evening. If to that you add a charisma on stage which totally belies his years, his future is more than assured” (Gareth Griffiths – ARCM)

Young tenor Nathan Payas has been recognised by many as a rising force in the world of opera. A student of Carlo Bergonzi and Virginia Zeani, this British singer brings a rare combination of qualities to his art. Born in Gibraltar, he is of both Italian and Spanish descent but his musical and operatic training took place in the United Kingdom, the United States and in Vienna, Austria. From his Italian roots he has inherited a beauty of voice reminiscent of the great tenors of the ‘golden era’ such as Schipa, Gigli and Di Stefano. This, combined with his Iberian passion and charismatic personality, augers well for an important career on the international stage.


“Nathan Payas is a wonderful musician…a talent to be reckoned with.”(Gino Sanguinetti – The Gibraltar Chronicle)

Nathan Payas - Opera Singer
A very talented young man” (Martina Arroyo)

“Master Ford, in Salieri’s opera, is enraged with jealousy, which Nathan Payas with southern temperament delivered with clarity and validity”(Dominik Troger- www.operinwien.at)

“Tenor Nathan Payas sang the part of the philandering duke with panache and conscienceless brio that are key to the character” (Geoege Walker - WFIU)


“As a conductor, it is rare nowadays to come across a talented singer who is also an all-rounded musician… I believe Nathan possesses a naturally beautiful voice, both in timbre, range and sensitivity”
(Karel Mark Chichon)


“ Nathan Payas was quite magnificent to the output of Bizet, Mozart and Schubert. His rendition of Amazing Grace was a particularly moving experience, drawing tears from the congregation”
(VOX – Gibraltar Newspaper)

"He will ignite hearts in the future" (Carmela Altamura)
 
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